Some of his designs he created alone, and others in collaboration with other artists and designers of the time. - Milan, Malagoli hairdressing salon in Piazza Virgilio Gio Ponti en long et en large : pour la première fois, une exposition aborde dans sa globalité la profuse carrière de l’architecte italien. GIO PONTI (1891-1979) PAIRE DE FAUTEUILS CORBEILLE Large et profonde assise reposant sur des petits pieds coniques en acajou, recouverts d'un velours beige chiné (postérieur). 1930, Large aluminium table presented at the 4th Monza Triennale - Varedo (Milan), Illustration of "The harlot's house" by Oscar Wilde, Illustration of "The Ballad of Reading Gaol" by Oscar Wilde, Various furniture of the twenties and thirties, Ceramic ware and porcelain for Richard-Ginori, Manifattura Doccia at Sesto Fiorentino (Firenze) and Manifattura San Cristoforo (Milan), Villa Bouilhet "L' ange volant" Garches, Paris, France, Competition entry for furnishing for an italian Embassy, Objects in pewter and silver for Christofle (at the beginning of the collaboration withChristofle), Vestibule to "The Small Rooms" at La Rinascente - Domus Nova, Milan, Pavilion for the Graphic Arts and Book Industry, fiera Campionaria, Milan, Entry in the competitionfor the Milan Development Plan withthe "Forma Urbis Mediolani", Borletti house in Via San Vittore , milan, Participation in the construction of the Monument to the War Dead in Piazza Sant'Ambrogio, Design of the dome and the La Rotonda central hall, Italy pavilion, 16th Venice Biennale, designs for silk embroidery for the Cernobbio school, Malagoli hairdressing salon in Piazza Virgilio, designs for De Angeli-Frua printed fabrics, Fontana Arte (at the beginning of the collaboration), Large aluminium table presented at the 4th Monza Triennale, Furnishing for a luxury cabin on board an ocean-going liner at the 4th Monza Triennale, "Holidays Home" for the 4th Monza Triennale, Fabrics for Vittorio Ferrari ( at the beginning of the collaboration), Cutlery and other objects for Krupp Italiana, Three bookcases for the Complete Works of Gabriele D'Annunzio, Headquarters of Banca Unione (later Banca Barclays Castellini) in Via Santa Maria Segreta, design for a residential building in the city, "Typical Homes": Domus Julia, Domus Carola and Domus Fausta in Via De Togni, Italcima plant on the corner of Via Crespi and Via Legnone. For these two hotel projects, he designed uniquely modern interiors and furnishings in collaboration with Fausto Melotti, Ico Parisi, and others. - Milan, Furniture for "Il Labirinto" This style and approach was at great odds with the functional and minimal approach of the then-prevalent Italian Rationalism, and it was distinctly present in Ponti’s work in the 1930s and 1940s, becoming less so over later years. GIO PONTI (1891-1979) CANAPÉ CORBEILLE Reposant sur huit petits pieds coniques en acajou, soutenant la coque d'assise garnie de mousse et recouverte d'un velours beige chiné (postérieur). In 1950, Alberto Pirelli, the owner of the Pirelli tire company, selected Gio Ponti to design and develop a building to house the offices of his company. Among Ponti’s most important buildings of the 1930s are the Institute of Mathematics at the University of Rome (1934), the Catholic Press Exhibition in Vatican City (1936), and the first office block of the Montecatini company in Milan (1936). GIO BRIO: A TIMELINE OF ICONIC DESIGN. À Paris, le Musée des Arts Décoratifs (MAD) met à l’honneur l’architecte et designer italien Gio Ponti (1891-1979). 215 cm - Prof. 92 cm A large sofa resting on eight small conical mahogany legs covered with a beige velvet. Together with a certificate of expertise from the Gio Ponti Archives. 215 cm - Prof. 92 cm Gio Ponti Archives. Estimate $ 6,000 - 8,000 Sold for $ 25,200 Gio Ponti Mid-Century Modern Solid Wood and Glass Italian Side Table. 1920 - 1929, Paintings 1931 Gio Ponti Pair of Armchairs walnut and green velvet upholstery each 81 x 71 x 79 cm (31 7/8 x 27 7/8 x 31 1/8 in.) Gio Ponti 1891–1979 . Cette table basse en acier peint à la main fait partie de la collection de mobilier de la maison privée du designer italien Giò Ponti, située via Dezza à Milan. Together with a certificate of authenticity from the Gio Ponti Archives. (53.3 cm) high, 29 1/2 in. 1929 Two years later, he convinced Richard Ginori to participate in the Internationale des Arts Décoratifs et Industriels Modernes (a 1925 Paris exposition), where Ponti’s ceramic designs were very successful. Plumbing Pipe Furniture. Currently being produced by Tre80 whose founder is Fede Grampa,their production is exclusively authorized by the Gio Ponti archives. There have been many books, magazine articles, and exhibitions dedicated to exploring the influence and uniqueness of Gio Ponti’s product, furniture, and interior design work. result: $18,000. Architecture; The WAYSS Youth Transition Hub in Melbourne is designed for young people on the brink of homelessness . In 1923, Ponti made his public debut as a product designer in Italy at the first Biennial Exhibition of the Decorative Arts in Monza, which was followed by his involvement in organizing the subsequent Triennale exhibitions of Monza and Milan. 811 for Figli di Amedeo Cassina (1950), with an inclined and angular wooden frame and a suspension system for the seat and backrest made out of elastic belts made by Pirelli; the Model 111, also for Figli di Amedeo Cassina (1950); the Diamond sofa, originally made for his house (Cassina,1953); the Mariposa, or butterfly, chair, which was originally designed for the Villa Planchart in Caracas (1955); the successfully omnipresent Superleggera chair, also for Cassina (1957), the crowning achievement of a long and fruitful work relationship designing furniture and objects for Cassina; the Continuum rattan chair for Pierantonio Bonacina (1963); the Dezza armchair for Poltrona Frau in 1966; and the Gabriela chair, or the Sedia di poco sedile, for Pallucco (1971). Dubbed “the godfather of Italian design,” Gió Ponti (1891–1979) established Italy as a cradle of design ingenuity in 20th-century Europe. Lot 122: Gio Ponti. During this time, Ponti forged a lasting relationship with Christofle executive and shareholder Tony Bouilhet, who later married Ponti’s niece–Carla Borletti–and for whom he designed Villa Bouilhet at the Saint-Cloud golf club near Paris, one of Ponti’s earliest house designs. Gio Ponti (image: Gio Ponti Archives) Gio Ponti is the subject of a new retrospective at the MAXXI in Rome, running until 13 April 2020. Cette ville travailleuse et ouverte sur le monde aime la nouveauté. 1932 Ciò è indispensabile per dar conto efficacemente della figura e del lavoro di Ponti, impegnato per sei decenni su molteplici fronti, dall'architettura al design, dalla comunicazione all'arte. His leadership at Domus would allow him to play a pivotal role in this interwar period by asserting the Italian perspective and tradition to the European modernist trends of the time and by expressing his consideration to the ideas regarding the Novecento artistic movement, a counter-movement to Rationalismo. Circa 1960. Other Italian designers contemporary to Gio Ponti include Ico Parisi, Franco Albini… Gio Ponti. Salvatore Licitra, fondateur et conservateur de Gio Ponti Archives . - Milan, Richard Ginori stand, Fiera Campionaria 1927-1930 Gio Ponti est diplômé en architecture à l'époque Régio Tecnico Superiore Istituto en 1921, après avoir arrêté ses études au cours de sa participation au Première Guerre mondiale. Gio Ponti’s design for the Hotel Parco dei Principi in Sorrento has become part of the history of Italian architecture. 1925. Feeling that a career in architecture was preferable to that of a painter, Ponti’s parents encouraged him to pursue the former and in 1914 he enrolled at the Faculty of … Still others were manufactured by some of the major furniture manufacturing companies of the time, as he was interested in both industrial and craft production of his designs. View this item and discover similar for sale at 1stDibs - Rare 1950's Gio Ponti armchair made by Cassina in limited quantities for the Augustus Ocean Liner. Sep 18, 2012 - Gio Ponti Vetri damask drawing 1940 (Rubelli Archives) Italian artist and ceramicist Fausto Melotti collaborated extensively on the interior design and furnishings of both villas. The main space in the Gio Ponti Archives, housed in Ponti’s Via Dezza studio, with a D.859.1 table, reproduced by Molteni&C, and a 687 chair, designed for Cassina. Provenance: Acquired directly from the Ponti family by the present owner - Milan, Borletti house in Via San Vittore , milan Loving Architecture” at the MAXXI museum in Rome (November 2019–April 2020). €36.60 . Sadly, the Iranian regime decided to revoke the villa’s heritage status, making its future highly uncertain. Molteni&C, molteni.it. - Varedo (Milan), Contini Bonacossi furnishing 1929-1931 It was during this time that he designed and built facades resembling undulated and perforated sheets of paper with geometric shapes and unique patterns. Tag : Gio Ponti. (24.8 cm) diameter Manufactured by Nino Ferrari, Italy. He also submitted the project design for the future Centre Pompidou in Paris. GIO PONTI (1891-1979) A SET OF EIGHT DINING CHAIRS FROM VILLA ARREAZA, CARACAS, 1954 executed by Cassina, lacquered wood, leather, brass each 32½ in. - Monza, "Holidays Home" for the 4th Monza Triennale Environ 680 euros le set de 36 pièces, Sambonet au Printemps. OLI Architecture designs pavilion for Richard Serra’s London Cross sculpture. The rectangular top with rounded edges above drawer cabinets each with two drawers, flanking angled geometric legs terminating in brass sabots. It takes a native son to build something as iconic as the Pirelli Tower, Gio Ponti’s 1960 masterpiece that soars over Milan. Together with a certificate of expertise from the Gio Ponti Archives. Materials. Sa construction est le fruit de la collaboration de Gio Ponti et de son studio avec l’ingénieur Arturo Danusso, puis dès 1954 avec Pier Luigi Nervi, tous deux grands spécialistes du béton précontraint, qui conseillent Ponti sur la forme et la structure. Since his death, there have been many exhibitions of Gio Ponti’s contributions to architecture and interior and furniture design. Together with a certificate of authenticity from the Gio Ponti Archives. H 98 cm. 1932-1935, © Gio Ponti Archives | All images and texts are covered by copyright, 1926 Masque "Il Diavolo" en métal argenté. Throughout his long creative career, which spanned more than six decades, Gio Ponti created numerous furniture, decorative art, and industrial product designs using artisanal and modern production techniques, in addition to creating important works of architecture in Italy and abroad. The task of the database of the Gio Ponti Archives is thus also to compose the richest possible mosaic of the background against which he moved, for the reasons explained above and in the knowledge that in those years (1920-70) art, architecture and design in Italy attained peaks of quality subsequently unequalled. - Venice, designs for silk embroidery for the Cernobbio school 1924-1926 Gio Ponti Archives, Milan Reconstitution au MAD du lobby de l’hôtel Parco dei Principi de Sorrente (1960), avec ses carrelages et ses faïences murales créées à la manière de fresques joyeuses. 38 1/2 x 49 x 22 in. 76 x 57.1 x 51.3 cm (29 7/8 x 22 1/2 x 20 1/4 in.) Gio Ponti si laureò in architettura presso l'allora Regio Istituto Tecnico Superiore (il futuro Politecnico di Milano) nel 1921, dopo aver sospeso gli studi durante la sua partecipazione alla prima guerra mondiale.Nello stesso anno si sposò con la nobile Giulia Vimercati, di antica famiglia brianzola, da cui ebbe quattro figli (Lisa, Giovanna, Letizia e Giulio). Sold with a certificate of authenticity from the Gio Ponti Archives. Glass, Wood. - Milan, Villa Bouilhet "L' ange volant" Garches, Paris, France "Archives" is plural in order to express the aim of creating a database for Gio Ponti which will succeed in relating information and materials of different kinds, properties and origins. In 1966, he invited lighting designer Elio Martinelli to showcase his lamps at the inaugural Eurodomus exhibition, which catapulted Martinelli’s career as an innovative light designer. In his first editorial, as well as in several of his later writings at Domus, Ponti articulates some differences regarding the Italian house, La casa all’italiana, in which he suggests that the Italian house “does not just consist in the correspondence of things to necessities and needs of our life or in the organization of services” and that the house is “meant to shape our thoughts, suggest simple and healthy habits, invite to peaceful and serene recreation thanks to its opening towards nature.”. - Milan, Design of the dome and the La Rotonda central hall, Italy pavilion, 16th Venice Biennale Ponti graduated from the Politecnico di Milano in 1921. 84 cm - Larg. Underside of each with impressed signature “Nino Ferrari.” Together with a certificate of authenticity from the Gio Ponti Archives (2). For Sale on 1stdibs - Model 512, 1940s, literature- gio ponto- ugo de la pietra with certificate from ponti archives, original fabric in very good condition. 1920 - 1970, Various furniture of the twenties and thirties During the early 1930s, Gio Ponti and Piero Fornasetti started a long, productive, and somewhat formulaic collaboration, as it mostly consisted of Ponti-designed furniture decorated with Fornasetti paintings and engravings. We attend the Triennale in Milano in cooperation with Gio Ponti, and Salvatore Fiume as art director 1959 The new Cantù plant is open on a covered area of 20.000 square meters; launch of a series of classical furniture collections Présentée dans la nef du musée, l’exposition Tutto Ponti, Gio Ponti archi-designer couvre l’ensemble de sa longue carrière, de 1921 à 1978, mettant en lumière les nombreux aspects de son travail, de l’architecture au design industriel, du mobilier au luminaire, de la création de revues à son incursion dans les domaines du verre, de la céramique et de l’orfèvrerie. - Milan, Pavilion for the Graphic Arts and Book Industry, fiera Campionaria, Milan 1930-1933, Cutlery and other objects for Krupp Italiana 1931, "Typical Homes": Domus Julia, Domus Carola and Domus Fausta in Via De Togni In 1971, he contributed to the exterior envelope design of the Denver Art Museum in Colorado—the only Gio Ponti building in North America. They found four Jules Leleu chairs and a French dining table and chairs. Bibliographie : Ugo La Pietro, Gio Ponti, Edition Rizzoli, Reproduit p. 382 et 383. 100 w × 33 d × 27 h in. Expertise conducted by the Gio Ponti Archives. In 1928, Ponti started Domus, an architecture and design magazine with a mission to energize Italian architecture, interior design, and decorative arts. 1931 Check: Publix Weekly Ad and Kroger Weekly Ad. But Ponti closed Lo Stile and returned to Domus in 1947, where he remained involved for the rest of life. Meuble Scandinave Meuble Vintage Design Industriel Accessoire Deco Objet Deco Idées Pour La Maison Mobilier De Salon Meubles Travail Du Bois Teds EUR € USD $ ... Gio Ponti and Milan - A Guide to the Works 1920-1970 Preface by Stefano Boeri. Plus de 500 pièces sont présentées de manière … Desk available with the Gio Ponti chair, Manufactured by Figli di Amedeo Cassina, Meda, Italy, ca. high (8) The Gio Ponti Archives are located in premises that were Gio Ponti's office, the building he designed and lived in on Via Dezza 49, Milan. 13.5k Followers, 19 Following, 135 Posts - See Instagram photos and videos from Gio Ponti Archives (@giopontiofficial) For more information on Gio Ponti, please visit Gio Ponti Archives, Photo of Villa Planchard provided by Riccio Leon under Creative Commons, Let us know if you have suggestions to improve this article by correcting errors, adding updates, or filling important omissions here, Please let us know your thoughts by using this form, Gio PontiDining chairs model 111 - set of 6, Gio Ponti and Piero FornasettiChiavi e pistole - chair, Gio PontiLuna - lamps from Villa Arreaza, Caracas, Gio PontiArmchair, Hotel Parco dei Principi, Rome, Gio PontiLuna - pair of lamps, from Villa Arreaza, Gio Ponti Balletto Alla Scala fabric - burgundy, Gio PontiCabinet and Sideboard for Singer & Sons, Gio Ponti and Paolo de PoliUccello - (bird), Gio Ponti and Paolo de PoliCavallo - (horse), Gio PontiPoesia del Mare–turquoise fabric pattern, Gio PontiPoesia del mare-black & white pattern, Gio PontiSet of 4 dining chairs model 646/2, Gio Ponti Set of 6 dining chairs model 646/2, Gio PontiLegge Mediterranea fabric pattern, Modern Living: Gio Ponti and the Twentieth-Century Aesthetics of Design, Gio Ponti e la committenza Fernandes / Gio Ponti and the Fernandes Commission, Gio Ponti: la Villa Planchart a Caracas = Gio Ponti : Villa Planchard en Caracas, Gio Ponti: Il Progetto Degli Interni Navali 1948-1953, Gio Ponti a Stoccolma: L’istituto Italiano Di Cultura “C.M. During his career, he created an enormous amount of ceramics, furnishings, and objects. 5 - Le métal et l'acier chez Gio Ponti - Couverts "Conca" en acier inoxydable, disponibles en métal argenté. In the late 1940s and 1950s, Ponti became a prolific furniture designer, of which his chairs and sofas became extremely popular for their joyful sprit and streamlined modern sensuality—characteristics that are actually persistent throughout his creative work. - Garches, Paris, France, 1928 We use cookies to help give you the best experience on our website. Gio Ponti, rétrospective d'un pionnier. Modern Furniture. Other important Ponti designs for Italian furniture manufacturers include the series of chairs, lounges, desk chairs, and desks designed in 1950 for the Vembi-Burroughs office in Genoa; the designs of cabinets and sideboards for Singer & Sons (1951); the vanity desk or vanity dressing table for Giordano Chiesa (1951); the side table D 5551 originally designed for his house in Via Dezza in Milan (1954); the 1960 and 1964 furnishings for the hotels Parco dei Principe in Rome and Parco dei Principe in Sorrento; and many furniture pieces he designed in the late 1960s for Tecno, Osvaldo Borsani’s furniture manufacturing company. View Full Details. result: $120,000. 1929 He also obtained the Accademia d’Italia Art Prize for his artistic merits, the gold medal from the Académie d’Architecture in Paris, and an honorary doctorate from the London Royal College of Art. estimate: $20,000–30,000. Sitemap Gio Ponti participated in the architectural and interior design of two important hotels in Italy: the Hotel Parco dei Principe in Sorrento (1960) and the Hotel Parco dei Principe in Roma (1964). Moreover, some of the objects he created himself, while others were done in workshops by expert craftsmen. Architecture; (82.5 cm.) 1928 Moda Uomo Dolce & Gabbana Uomo Primavera-Estate 2021, la sfilata nei giardini dell’Humanitas. During the 1950s, as is the case with other important Italian designers of the time, such as Nino Zoncada, Gustavo Pulitzer, Paolo de Poli, Pietro Chiesa, and Gino Sarfatti, Ponti designed many interiors and furniture pieces for ocean liners. Photographs, drawings, letters, documents, critical texts. 1931, Three bookcases for the Complete Works of Gabriele D'Annunzio 91.2 x 240 x 40.5 cm (35 7/8 x 94 1/2 x 15 7/8 in.) Sold with a certificate of authenticity from Gio Ponti Archives. agrandir. Gio Ponti and his daughter Lisa at the Musée des Arts Décoratifs in 1973. 1930, Fontana Arte (at the beginning of the collaboration) Gio Ponti Daybed, circa 1950 Walnut, fabric. Tag : Gio Ponti. Circa 1960. This home was commissioned by the Namazee family at the recommendation of Mohsen Foroughi, architect and dean of the Faculty of Fine Arts at Tehran University. In 1970, he finished the Taranto Cathedral, a white rectangular building topped with a huge concrete façade perforated with openings. Icon of the Month . 1927 - Milan, designs for De Angeli-Frua printed fabrics 79 x 80 x 106.5 cm (31 1/8 x 31 1/2 x 41 7/8 in.) 64 x 208.8 x 80.6 cm (25 1/4 x 82 1/4 x 31 3/4 in.) - Garches, Paris, France, Competition entry for furnishing for an italian Embassy This work has been authenticated by the Gio Ponti archives. 1927, Vestibule to "The Small Rooms" at La Rinascente - Domus Nova, Milan An exhibition on the multitalented designer opened there this weekend. Another famous work of Ponti’s is Villa Nemazee (1957–1964) in Tehran. 13.5k Followers, 19 Following, 135 Posts - See Instagram photos and videos from Gio Ponti Archives (@giopontiofficial) - Milan, Borletti Chapel, Monumental Cemetery Gio Ponti Archives, gioponti.org. Gio Ponti, Royal Delta, Casse And Clement Among Nine Hall Of Fame Finalists. 84 cm - Long. Some are public pieces, commissioned by major industries, some unique and private … English Italiano Français Currency: EUR . The project involved the entire building and, in particular, in collaboration with Ceramica D’Agostino, a series of blue-and-white ceramic decorations transformed a hundred rooms, together with the lobby, the reception area, the bar and the restaurant. Icon of the Month . - Milan, Furniture for Studio L'Officina circa 1936 Walnut, fabric upholstery. - Milan, Entry in the competitionfor the Milan Development Plan withthe "Forma Urbis Mediolani" - Milan, FerrarioTavern in Palazzo Mezzanotte 1920 -1930, Ceramic ware and porcelain for Richard-Ginori, Manifattura Doccia at Sesto Fiorentino (Firenze) and Manifattura San Cristoforo (Milan) Fotografie, disegni, lettere, documenti, testi critici e dati. - Milan, "La Penna d'Oca" restaurant GIO PONTI Rare side chair, circa 1940 Walnut, fabric, brass. Editor's choice. - Milan, Furniture for La Rinascente - Domus Nova Créés en 1955. In 1933, Ponti tapped into his entrepreneurial spirit and invited Pietro Chiesa to join him and Luigi Fontana—owner of one of the largest glass manufacturers in Italy—to create Fontana Arte, a company that would become a force in Italian furniture design and that specialized in manufacturing furniture, lighting, and furnishing accessories. (97.8 x 124.5 x 55.9 cm) Together with a certificate of expertise from the Gio Ponti Archives. Subscribe and get notified of new arrivals and events, The Joyful Designs of Achille Castiglioni, A Documentary About the Tireless Pierre Cardin, Style magazine: “Outside Milan, a Living Testament to the Powers of Italian Modernist Design”, PIN-UP Magazine’s Interview with Architect & Furniture Designer Umberto Riva, cabinets and sideboards for Singer & Sons, Modern Living: Giò Ponti and the 20th-Century Aesthetics of Design. Editor's choice. Rare ‘Distex’ armchair. Contact c. 1970, lacquered wood. Expertisé par les Archives Gio Ponti. Giovanni “Gio” Ponti (born November 18, 1891, Milan, Italy–died September 16, 1979, Milan, Italy) was one of the most influential Italian architects, industrial designers, furniture designers, artists, and publishers of the 20th century. 84 cm - Prof. 94 cm Pair of armchairs resting on small conical mahogany legs covered with a eige velvet. 1928 1926 1928 1928, Vimercati furnishing in Via Domenichino In 1923, he started his first industrial design work designing ceramics for the Richard Ginori pottery factory, close to Florence. 33 1/16 x 84 5/8 x 36 1/4 in. Buyer responsible for Buyer’s Premium and any applicable taxes, including VAT. He is considered the father of modern Italian design and is associated with the development of modern architecture in Italy. Manufactured by Cassina, Meda, Italy. Texts by Lisa Licitra Ponti Edited by Paolo Rosselli and Salvatore Licitra. Sold for £31,250 OLI Architecture designs pavilion for Richard Serra’s London Cross sculpture. For Villa Planchart, Ponti designed not only the 10,000-square-foot, six-bedroom house but also the furniture and decorative objects. By the 1970s, at the end of his career, Gio Ponti had intensified his quest for transparency and lightness. Imaginée en 1954-1955, cette table est rééditée et fabriquée par Molteni & C d’après les dessins originaux des archives de Ponti. Design Gio Ponti The main space in the Gio Ponti Archives, housed in Ponti’s Via Dezza studio, with a D.859.1 table, reproduced by Molteni&C, and a 687 chair, designed for Cassina. 1927 Haut. 罕有廚櫃. circa 1955 Ash-veneered wood, glass, brass. 1920, Illustration of "The Ballad of Reading Gaol" by Oscar Wilde This Desk/vanity designed by Italian architect and designer Gio Ponti is sold with the certificate of expertise from Gio Ponti Archives. circa 1953 Fabric, vinyl, walnut. This approach is essential if we are to give an adequate account of Ponti's work and achievement, as he was engaged on multiple fronts, from architecture to product design, from communication to art, and by nature and temperament inclined to form relationships and experiment widely. Courtesy Gio Ponti Archives Ponti also created a series of custom chairs for the Montecatini towert. Designed in 1949 for the Conte Grande Ocean Liner and manufactured by Cassina, Mena, this work is accompanied by a certificate of expertise from the Gio Ponti Archives. 1930-1936, Lamps for Fontana arte 1933 Pewter. - Milan, design for a residential building in the city 1927-1928 Gio Ponti Collection est la collection que Molteni&C dédie au grand maître milanais. Leici”, Gio Ponti. Comes with certificate of authenticity from Gio Ponti archives and foundation hardware original to piece. Laura Saltari 16 Luglio 2020 16 Luglio 2020. by Laura Saltari 16 Luglio 2020 16 Luglio 2020 0 443... d&g dolce & gabbana Dolce & Gabbana Uomo Dolce & Gabbana Uomo SS2021 dolce e gabbana Gio Ponti Humanitas University Milano il volo Parco dei Principi Sorrento. Expertisée par les Archives Gio Ponti. In 1928, Ponti started Domus, an architecture and design magazine with a mission to energize Italian architecture, interior design, and decorative arts. When completed in 1958, the 32-story, 127-meter-high Pirelli Tower, with its unique hexagonal plan, became Italy’s first skyscraper and a symbol of the postwar economic recovery of Italy. Gio Ponti Founds Domus Magazine, A Platform For The Emerging Italian Modernist Design. Privacy Policy, I have read and agree to the terms & conditions, By continuing without changing your cookie settings, we assume you agree to this. Haut. - Florence, Headquarters of Banca Unione (later Banca Barclays Castellini) in Via Santa Maria Segreta Two of his most renowned architectural works, though, were built outside of Italy. - Milan, Borletti furnishings in Via de Togni - Milan, Glass furnishings for the Dahò stores read more, In 1928, Ponti started Domus, an architecture and design magazine with a mission to energize Italian architecture, interior design, and decorative arts. 1924, House in via Randaccio 9, Milan The historical archive of Gio Ponti's work . In 1934, he was given the title of Commander of the Royal Order of Vasa in Stockholm.